Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Emily Hahn, prolific author and New Yorker correspondent whose sojourns in Shanghai (1935-39), Chungking (1939-40), and Hong Kong (1941-43) coincided with the Japanese invasions of these cities, fictionalizes the life of Canadian Lorraine Murray, turned high-class prostitute in Shanghai after living as a foreign geisha in Japan. Hahn was fascinated by sex workers and hung out with them (Hahn and Murray were roommates), but the novel later morphs into the autobiographical as the beautiful Hahn ingratiates herself with Japanese military officials until she’s forced into a Hong Kong internment camp for several years. Hahn is more reporter than novelist, but her flair for detail and eyewitness authenticity brings Shanghai to life in a way the historical novelist cannot. Especially hilarious is Jill’s hotel scene with the British john who thought he was getting a freebie.
A novel about an enterprising Shanghai streetwalker from the “American literary treasure” and author of the memoir China to Me (The New Yorker).
Meet Miss Jill, a young woman pursuing the oldest profession in prewar Shanghai. Fifteen, blonde, and full of personality, Jill begins her career as a Japanese banker’s mistress. Soon after, she becomes a European prostitute in the house of Annette, and believes that any day now she’ll be married to a nobleman. But none of her adventures prepare Miss Jill for the war and her subsequent internment.
An early feminist and an American journalist who traveled to…
The experience of being a teenage exchange student living with a Beijing family whose mother is dying of cancer and whose father makes an aborted sexual pass on her marked Solimine deeply enough to inspire this novel. The author wisely shifts the focus away from herself and adopts the role of frame narrator as she reconstructs the family’s history and events leading up to her arrival, where she inserts herself into the story. The narrative unfolds in flashbacks, impressionistic vignettes, and haunting poetic imagery to capture fleeting moments which build in intensity. It’s the kind of novel readers may not find easygoing on first acquaintance – the cracked-glass cover design nicely conveys the initial impression – but promises to improve on rereading.
Short-listed for the Center for Fiction's 2017 First Novel Prize, Empire of Glass is a grand, experimental epic chronicling the seismic changes in China over the last half century. In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called "Empire of Glass," a narrative that chronicles the lives of…
Carroll’s debut novel has earned considerable praise for its quiet, elegant prose and the affecting realism of its characters: a young introverted American wholly at home in the small backwater college in Hunan Province where he teaches English and builds an aeolian harp, the awkward female student who tries to befriend him, and the choleric old misanthrope of an American with a crippled leg, who joins the school and inadvertently proceeds to disrupt their lives. What makes the novel work is its dramatic irony – the chemical reactions that ensue when three peculiar and hapless personalities combine and threaten to blow up into almost Greek-tragedy proportions, and only the reader understands why. A handful of memorable subplots and minor characters flesh out the tale.
Everybody wants to think they're the only foreigner living in China.
Up to the Mountains and Down to the Countryside tells the story of two American English teachers in rural China. Daniel, a young college graduate, is enjoying his seemingly idyllic life in the small town of Ningyuan when Thomas, an entitled deadbeat content to pass the rest of his days in Asia skating by on the fact that he's white, arrives at his high school. The two men take an instant dislike to each other, and in the ensuing battle of wills tensions build to a showdown, with one…
An idyllic mountain town in Yunnan Province of the sort which drew Chinese artists and Western pot-smoking hippies several decades back (probably Dali or Lijiang before their tourist invasions) is the setting of an epic culture clash between older-generational locals and the motley crowd of foreigners and their teepees and incomprehensible ways. The characters and the narrative breathe with too much realism to be based on anything but real people and events, and we assume the first-person narrator to be the author himself thinly disguised. But whatever events inspired the story, Taylor succeeds in limning each scene and dialogue with archetypal significance, so that the novel transcends mere reportage dressed up as fiction for the sake of anonymity. It also makes a good companion piece to Carroll’s Up to the Mountains and Down to the Countryside.
Here we have the most politically incorrect of novels, an unflinchingly vicious take on China by a Westerner, though Party Members (pun on the second word) does have an acknowledged precursor in fellow Englishman Ralph Townsend’s Ways That Are Dark, an equally unsentimental account of China published in 1933. We follow the faceless bureaucrat protagonist, Yang Wei, as he inventively combines his passions for sex and KFC (China’s comfort food of choice) at one and the same time, and eggs on the state-sanctioned thugs who set his mother’s house on fire to clear it for developers – with her inside. To be fair, China is evolving out of the nasty pre-2008 Olympics era Meursault is documenting and this is after all satire. But the novel is not only very funny, it’s required reading precisely due to its pariah status.
Deep within the heart of China, far from the glamour of Shanghai and Beijing, lies the Chinese every-city of Huaishi. This worker’s paradise of smog and concrete is home to Party Member Yang Wei, a mediocre man in a mediocre job. His content life of bureaucratic monotony is shattered by an encounter with the advanced consumer goods he has long been deprived of. Aided by the cynical and malicious advice of an unlikely mentor, Yang Wei embarks on a journey of greed, corruption, and murder that takes him to the diseased underbelly of Chinese society.
It is the Shanghai of courtesans and concubines, danger and decadence, updated to 2020. American expat author Isham Cook has disappeared. His last known history is chronicled by an exotic woman who seems right out of 1930s Shanghai herself, Marguerite, a mustachioed Afghan-American who weaves Persian rugs and deals in psychedelics.
As she tells it, Isham's story all began with Luna, a beguiling but troubled Chinese woman who happens to have a mustache herself. Also vying for Isham's affection is the charismatic Kitty, who conspires to entrap him in a cyber web of obsession and betrayal. Fans of Cook's fiction will recognize in this psychological thriller set in modern China his signature world of startling plot turns in an unsettling yet compelling landscape of ideas.
The 19th century women's rights movement and the rise of public education intertwine with one woman's story of struggle, perseverance, and love.
Alice Harris is pressed to marry a Civil War veteran twice her age when her family’s inn fails in 1882 in western North Carolina. She remakes herself by learning to farm tobacco, campaigning for the city’s first public schools, and immersing herself in the large and divisive Carter family. But marriage offers a tenuous promise of security. When tragedy strikes, Alice turns to the courts to fight for her independence and discovers an unexpected love.
The 19th century women's rights movement and the rise of public education intertwine with one woman's story of struggle, perseverance, and love.
When her father dies and the family inn falls to ruin in 1882, western North Carolina, thirty-year-old Alice Harris is compelled to marry Jasper Carter, a Civil War veteran twice her age. Far from home and a stranger in a new family, Alice remakes herself. She learns to farm tobacco, mothers her stepson, and comes to love her husband.
However, Alice uncovers pending trouble with the family's land holdings, which threatens their livelihood on the farm. The growth…
